KENTA COBAYASHI
EVERYTHING 2
Published by NewFave, 2020
Book size 29.7 x 21 cm
80 pages
Soft cover
Edition of 500
Four years after the release of Everything 1, Cobayashi unveils Everything 2 in 2020. In this series, he shares his vision of the contemporary city, focusing on the lifestyles of young people living in large metropolises, mainly young people living in Tokyo.
Unlike other professional photographers who are generally trained to hide the use of digital mediums in their photographs, Cobayashi plays with them. Known for his generous manipulation of tools such as Photoshop, the photographer produces prints with acidic colors and dancing shapes. It is possible to trace in his prints the multiple movements he has made. Using elements in his photos such as the light of a car headlight, or the color of a pedestrian's hair, he creates movement and traces his path through the city.
Unlike other professional photographers who are generally trained to hide the use of digital mediums in their photographs, Cobayashi plays with them. Known for his generous manipulation of tools such as Photoshop, the photographer produces prints with acidic colors and dancing shapes. It is possible to trace in his prints the multiple movements he has made. Using elements in his photos such as the light of a car headlight, or the color of a pedestrian's hair, he creates movement and traces his path through the city.
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Four years after the release of Everything 1, Cobayashi unveils in 2020: Everything 2. In this series he shares with us his vision of the contemporary city, focusing on the lifestyles of young inhabitants of large metropolises, mainly young inhabitants of Tokyo.
Unlike other professional photographers who are generally trained to hide the use of digital media in their photographs, Cobayashi plays with it. Known for his generous manipulation of tools such as Photoshop, the photographer produces prints with acidulous colors and dancing shapes. It is possible to trace in his prints the multiple movements he has made. Using the elements present in his photos such as the light of headlights, cars, or the hair color of a pedestrian, he creates movement and traces his path through the city.